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Aleksandar Radovanovic

Aleksandar Radovanovic

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articles by Aleksandar Radovanovic


Why am I a film critic?

Why am I a film critic? Ah, the old question of motivation behind criticism. I guess George Bernard Shaw has already provided us with an aptly provocative answer: “Those who can, do; Those who can't, teach.” Or criticize. How else would a talentless hack get a rightful place in the cinem ...

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Some Day

Some Day An act of private defiance against social conventions in Turkish German society - Feo Aladag's debut from Berlinale Panorama. A young woman holding a little boy by the hand walks down a city street. A young man accompanying them halts, produces a gun and points it at the woman w ...

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The Drama Behind Documentaries

The Drama Behind Documentaries When the real world gets in the way of filmmaking, the director is in for some tough choices ─ experiences and recollections from the "Shooting Suspects" panel. “I am a storyteller, but a political person”, said Swedish director Fredrik Gertten a ...

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Thinking in Short Structures

Thinking in Short Structures Brevity is the soul of wit? Short-film director Paul Negoescu explains why he is in no rush to make the jump to feature films. Twenty-five-year-old director Paul Negoescu has made more than ten short films and established a considerable reputation ...

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Real-life Soap Opera

Real-life Soap Opera Heavily autobiographical account of a director's family quest, ALL MY FATHERS adds to the 2010 Berlinale trend of troubled parenthood. Jan Raiber will remember his 30th birthday for a long time. Not only did his first feature-length film premiere at the Be ...

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PORTRAIT OF A PROACTIVE AMERICAN FAMILY

PORTRAIT OF A PROACTIVE AMERICAN FAMILY THE KIDS ARE ALRIGHT, a passionate dissection of contemporary family dynamics by Lisa Cholodenko. Lisa Cholodenko's third feature centres around the marriage of Nic and Jules, a Los Angeles-based lesbian couple who raise a teenage daught ...

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Talent Press, a hands-on training of the Berlinale Talent Campus in collaboration with FIPRESCI and the Goethe-Institut, is a platform for young film critics and journalists from around the world to acquaint themselves with current trends in world cinema.

Selected by an international jury, they are invited to Berlin to review films of the festival and report on events of the Berlinale Talent Campus. Under the tutelage of prominent film critics they share their impressions and insights through their daily articles for the Berlinale Talent Campus website and those of its partners - FIPRESCI and the Goethe-Institut.

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