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Janaina  Navarro

Janaina Navarro

articles by Janaina Navarro


The Critic: maybe a flâneur, but not a dilettante

The Critic: maybe a flâneur, but not a dilettante I see the critic as a upside down prism, that absorbs different stimuli from the world and gathers them in a unique beam put in words. As a young Visual Arts student, and in my work as a critic I try to articulate realms of knowledge seen ...

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Staring at the Road

Staring at the Road Conflicts arise on and off a bus, resulting in a journey of bonding and discovery: a review of HIGHWAY from Berlinale Panorama. A road can have different meanings. For some, the road is a trip, for others, the road is part of the quotidian. What can be an obstacle on ...

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Fucking Alone

Fucking Alone Malgoska Szumowska takes part in the Berlinale Panorama with ELLES, asking questions about the true nature of sexual encounters. ELLES begins with a fragment of Gaspar Noé's controversial and explicit short WE FUCK ALONE. ELLES is equally unsettling. The main protagonists o ...

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Odysseus with Woman-shaped-Tiresias in his arms

Odysseus with Woman-shaped-Tiresias in his arms An abundance of classical-literature references doesn't redeem KEYHOLE's gimmicky experimentalism. Guy Maddin‘s new movie KEYHOLE is a gangster odyssey. Ulysses, the chief of the gang, is awaited by his band in an old creepy house, which is ...

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You Have to Know the Heart of Man

You Have to Know the Heart of Man Werner Herzog presents his four-part TV project on death-row inmates as part of the Berlinale Special. Not only a strong commentary on capital punishment, Werner Herzog‘s Berlinale Special entry DEATH ROW is also a lesson on how to face other human being ...

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A Visa for Filmmaking

A Visa for Filmmaking An interview with Lebanese filmmaker Mahmoud Hojeij, part of the Berlinale Shorts with his IMPOSSIBLE EXCHANGE. Lebanese filmmaker Mahmoud Hojeij partakes in the Berlinale Shorts programme with the film IMPOSSIBLE EXCHANGE, made from footage of an uncomfortable scen ...

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Talent Press is a platform for young film critics and journalists from around the world to acquaint themselves with current trends in world cinema.

Selected by an international jury, they are invited to Berlin to review films of the festival and report on events of the Berlinale Talent Campus. Under the tutelage of prominent film critics they share their impressions through daily articles for the Berlinale Talent Campus website and those of its publication partners - FIPRESCI, Goethe-Institut and fluter.de, the magazine published by The Federal Agency for Civic Education.

Best Of Talent Press 2012:

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